Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Tuesday, November 26, 2013

perugina photography







photo
il Violino
copy of The Lord Wilton Guarnerius
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played by Vov Dylan



The Lord Wilton Guarnerius, sometimes referred to as the ex Yehudi Menuhin, is a violin made by Italian luthier, Giuseppe Antonio Guarneri (1698-1744), usually called Guarneri del Gesù. 

The Wilton was crafted in 1742 in the city of Cremona and was named for a Seymour Egerton, 4th Earl of Wilton, a musician associate of Arthur Sullivan.

It was owned and played by violinist Yehudi Menuhin from 1978 to 1999. After Menuhin's death in 1999, the instrument was sold for $6 million to well known collector David L. Fulton, the highest price paid for a violin to that date. As of 2013, the instrument remains in Fulton's possession.

Information taken from Wikipedia




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photograph
St Ives shoot
23 September 2013

Sunday, November 24, 2013

perugina photography









scroll
copy of Stradivarius 
'Soil'
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St Ives Shoot
23 September 2013


perugina photography © 2013 patricia vannucci


Saturday, November 23, 2013

perugina photography







series
il Maestro

Vov Dylan
St Ives Shoot
Q
23 September 2013

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perugina photography © 2013 patricia vannucci

perugina photography








series
il Maestro


Vov Dylan
St Ives Shoot
Q
23 September 2013

___________

perugina photography © 2013 patricia vannucci




perugina photography







series
il Maestro
la Serenata


Vov Dylan
St Ives Shoot
23 September 2013
_________
perugina photography © 2013 patricia vannucci

perugina photography







series
il Maestro
bow & scroll


Vov Dylan
St Ives Shoot
23 September 2013
_________
perugina photography © 2013 patricia vannucci

perugina photography








series
il Maestro


Vov Dylan
St Ives Shoot
23 September 2013
_________
perugina photography © 2013 patricia vannucci



donna con il violino blu © 2010 patricia vannucci

perugina photography








series
il Maestro

Vov Dylan
St Ives Shoot
23 September 2013
__________

perugina photography © 2013 patricia vannucci



donna con il violino blu © 2010 patricia vannucci

Saturday, November 16, 2013

photography for dVb






dVb
_____
updates coming soon



photography for dVb
perugina photography © 2010 patricia vannucci





dVb
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updates coming soon

To quote WR

The bow is still rosined and the violin resounding!
_________________
sei sempre nei miei pensieri




Thursday, May 26, 2011






donna con il violino blu
updates coming soon
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photography for dVb
perugina photography © 2010 patricia vannucci

Thursday, March 17, 2011

lesson 83





A New Moon means an intensification of experience.
Whatever you feel, you feel it more than you felt it before.
And where you don't feel something, you feel the absence of the feeling.
You notice the sense of emptiness.
You can't just pretend that there's no crack in the wall by hanging a picture over it.
Torn fabrics won't be patched. Or so it seems.
Actually, you'll be back to something resembling normality sooner than you think.
Meanwhile, relish this chance to get in touch with an emotion it's all too easy to ignore.

perugina photography © 2010 patricia vannucci

donna con il violino blu © 2010 patricia vannucci

Saturday, January 1, 2011

violino illuminato
christmas 2010
perugina photography © 2010 patricia vannucci

 


donna con il violino blu © 2010 patricia vannucci

Monday, December 13, 2010


aboard the flamed maple ship

Please throw me overboard..
Being aboard this flamed maple ship when the seas are rough can be trying on a fledgling crew with limited experience, and it is in these trying times when one tries to pull it together for the other.
In a strange way, it is comforting to know i am not the only one who experiences the overwhelming sensation of these crests and troughs on an adventure such as this leaving you so uncoordinated you do not know which way is up anymore.
Currently my MSP, Main Support Person on this voyage is taking their turn below deck for feeling such in this moment.
With this said, i dedicate this post to YOU and it is to You that i say..

Just Rest.. Relax.. Decompress.. and remember you are not alone.
Take a moment looking back at what you have already learnt.. remembering for example how we thought two note slurs seemed impossible.. and now we are playing 3, 4 & 5 note slurs.
Each piece that you master will lay the foundation for the next.
Keep in mind the overall picture, but just try to focus on the tasks at hand.

In fine.. constantly struggling with mastering new skills can dampen the enthusiasm for learning anything new and therefore should not be the entire focus of a practice session.
For me personally, i find it important to spend a percentage of that practice time playing what i already know well, (no matter how simple it is) this enjoyment and experience in music reminds and reinforces why it is that i have embarked on this journey in the first place.. and knowing you.. it will help you too.



You have the ability and passion for this
i see it and hear it
 storms are only momentary
and pass as all storms do
until then
stay below deck
rest
recover
and look forward to calm seas
cloudless blue skies
with tinted pink horizon lines
___
DVB

boardwalk
sunset beach
soldiers point NSW

perugina photography © 2010 patricia vannucci



donna con il violino blu © 2010 patricia vannucci

Monday, December 6, 2010


lesson 75

where do i begin...
so much has happened since my last lesson posting which was back in July!

Photography..
The violin continues to be a source of inspiration for my photography, as you can see from the recent uploads here with the series ‘towards resonance’, shot on the 8 November at Avon Dam in the Wollondilly Region of NSW.
The location provided the perfect backdrop not only for this photographic shoot, also for a few hours of practice under the massive Egyptian style gateways that flank each end of the dam structure.

The resonance beneath these concrete canopies as i practiced this day was what sparked the title of this series, and naturally my desire and motivation to move forward towards playing this instrument at a level where it doesn’t have the listener cringe is something i’m striving and working hard for.
The natural bushland surrounds, as well as man made setting provided the inspiration for creativity and together with intuitiveness made for a successful and enjoyable day overall.

avon dam gateway
'towards resonance'
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I was also employed to do a small photographic assignment to adorn the pages of a new business website.
I was very surprised to have been asked, after all i'm not a professional photographer, however it ties in well here as the subjects are foremost violin coupled with flowers.
I felt honored to be given an opportunity to contribute (in a small way) artistically to something like this, because to date i have been engaged only with fulfilling my own needs facilitating creative expression.
To have someone outline what they would like, is a totally different process, although still in the realm of creativeness, what one person has in their mind as an overall picture, can transfer differently to the other, therein lays the challenge.
The client was extremely happy with the end results, and i was more so being able to help realise their vision. All going well with the launch at some point next year, i will only be too happy to provide links to this new and exciting venture.


after dark
grand reflection


Lessons.. the highlights..
The last 5 months of lessons has seen me progress a little further with Vivaldi Spring, which my Maestro tells me is a piece that students doing their Associate Diploma tackle.. great!
I’m just a humble beginning kindergarten violinist, talk about jumping into the deep end. There is much work to be done before this even sounds anything like it’s meant to – still it is a challenge and will endeavour to keep at it.

Hans Sitt is providing much amusement.. for whom?
I’m not sure.
In a desperate bid to motivate me to read musical notation (something i have publicly confessed to loathing here on the blog) Maestro actually said he would offer me a free one hour lesson, on the house, if i learn in one week to play the Sitt No 6 with no errors in under 4 minutes…
Did i mention the word ‘amusement?’
Perhaps for him - knowing it would be very difficult but not entirely impossible.

Still i told him this was a bet he could not lose, for on hearing this piece i described it as a tongue twister, except for violin.
My initial thoughts were that if by some miracle i could achieve this, it would mean significant inroads into the beginnings of reading music, and despite the odds being greatly stacked in his favour, i have to confess the thought of denying il Maestro payment of an hour lesson was delicious.

Sadly in spite of all the practice i did that week, i did not complete the piece and made many errors along the way especially towards the end.. he was worried there initially for i gave it my best shot.
I am pleased to report however, in the week that followed i persevered with the no 6, saying to myself.. “darn i couldn’t do it in one week, but i’m determined to get it done in two”.. even if it kills me..
So at the next lesson was able to play it all, with a few errors here and there.. but hey.. i got through it!

The last five months has seen me step up into the 3rd Grade Book based on the AMEB Curriculum - having had three lessons to date.
The music in this book has me highly motivated, and although it has only been a few weeks, some serious practice time has been had familiarising myself with the pieces and may i add, a considerable amount of reading going on!

I’m sure there are other things i can make mention of, but they do not come to mind immediately as i write, so for now i will leave it here.
I hope not to desert my blog for this long again.
Sometimes there just isn’t enough time for it all.















_____
DVB


donna con il violino blu © 2010 patricia vannucci









perugina photography © 2010 patricia vannucci




growth spiral
violin scroll against maple

'towards resonance'


A scroll is the decoratively carved end of the neck of certain stringed instruments, mainly members of the violin family. The scroll is typically carved in the shape of a volute (a rolled-up spiral) according to a canonical pattern, although some violins are adorned with carved heads, human and animal.
The quality of a scroll is one of the things used to judge the luthier's skill.
Instrument scrolls usually approximate a logarithmic spiral.
Although many references assert that the instrument scroll closely follows the golden spiral (a specific form of the Logarithmic spiral) this assertion is demonstrably false.

Scrollwork is a common feature of Baroque ornament, the period when string instrument design became essentially fixed.
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taken from Wikipedia
'towards resonance'
series of pictures photographed
Avon Dam NSW
8 November 2010


'growth spiral . violin scroll against maple' photography © 2010 patricia vannucci
creative direction patricia vannucci
perugina photography © 2010 patricia vannucci






avon dam gateway

'towards resonance'
series of pictures photographed
Avon Dam NSW
8 November 2010

'avon dam gateway' photography © 2010 patricia vannucci
creative direction patricia vannucci
perugina photography © 2010 patricia vannucci



Sunday, December 5, 2010

among eucalypts
violin on red velvet chair

'towards resonance'
series of pictures photographed
Avon Dam NSW
8 November 2010

'among eucalypts' photography © 2010 patricia vannucci
creative direction patricia vannucci
perugina photography © 2010 patricia vannucci

Wednesday, December 1, 2010


among eucalypts
violin on red velvet chair

'towards resonance'
series of pictures photographed
Avon Dam NSW
8 November 2010

'among eucalypts' photography © 2010 patricia vannucci
creative direction patricia vannucci
perugina photography © 2010 patricia vannucci



violin on red velvet chair
on Avon Dam Rd